Skip to main content

Busy busy busy....


 I have been crazy busy for the past several days, and despite that, I am still behind on nearly everything I need to do.

I am working away on the vintage lace tallit. I was feeling a little nervous about some of the aspects of the tallit so I decided to fake myself out by working on the pinot- the corner pieces.

My client had brought me two quite spectacular doilies to use for the pinot. there are however four corners on a tallit. My client had shown me how on a tallit made out of other family linens, the monogram was used for one of the pinot.

One of the things that fascinated me about this old linen piece is that the lace was really high quality work. The monograms, although meaningful to my client are actually not such nice work. There is a story in that mismatch of handwork. I don't know for sure what it is. I suspect that the fancy linens were handed down to a less fancy family.

Here is one of the doilies stitched to the gold backing.
I created a composition of sorts out of the monogram and some of the lace.

The font choice for the monogram is gorgeous. The stitching is lumpier than one tends to see from fine needlework from the era. I also think that the thread used was long  long stapled embroidery floss, but rather simple sewing cotton which is lacking in sheen and is hard to handle in a satin stitch.

This is casting no aspersions on my client's ancestor, I'm pointing out that there is a story here. I plan to cover my own machine zig zag stitching with hand couching.
Here are the four pinot all together.
 In the afternoon I had three client meetings in a row.

The first two was a set of twins I have known since before they were born. They came on their own, actually one after the other. One of the twins has a broken leg, the other has been suffering from a month of migraines so neither was working with all jets running. We all made allowances for one another and ended up doing some really good work.

I had to make sketches to show the parents where we are going with the tallitot.
I'm delighted with how I made the sketches.


This one is made out of black elastic and painted paper. It was the quickest way to show what the painted silk would look like next to the black charmeuse.

The other tallit will have a slightly different design on either side.

The third client of the day came with his mother so a crude pencil sketch sufficed. I am working on sourcing materials for all of the projects and fielding calls about some possible very exciting work. I will keep all of you posted if the exciting stuff comes to pass.


Comments

  1. Sarah, these are just exquisite. I'm sharing on Facebook and with the Pomegranate Guild!

    ReplyDelete
  2. Oh Cathy, so sweet. I was starting with good source material though.I have seen tons of lace edging that was crochet by the yard, because old textiles come to my house to die. But this stuff is just so refined, so beautiful.

    ReplyDelete
  3. Interesting use for antique textiles. I have a bunch of them and have often wondered how to incorporate them into something.

    ReplyDelete
  4. Thanks!Using the textiles feels like inviting both the owners and the makers of these textiles into our lives.

    ReplyDelete

Post a Comment

I love hearing from my readers. I moderate comments to weed out bots.It may take a little while for your comment to appear.

Popular posts from this blog

Connecting with the past

A few months ago I had a craving for my father’s chicken fricassee.  If my father were still alive I would have called him up and he would have talked me through the process of making it.    My father is no longer alive so I turned to my cookbooks and the recipes I found for chicken fricassee were nothing at all like the stew of chicken necks, gizzards and wings in a watery sweet and sour tomato sauce that I enjoyed as a kid.  I assumed that the dish was an invention of my father’s. I then attempted to replicate the dish from my memory of it and failed.   A couple of weeks ago I saw an article on the internet, and I can’t remember where, that talked about Jewish fricassee  and it sounded an awful lot like the dish I was hankering after. This afternoon I went to the butcher and picked up all of the chicken elements of the dish, a couple of packages each of wings, necks and gizzards. My father never cooked directly from a cook book. He used to re...

The light themed tallit has been shipped!!!

 I had begun speaking to Sarah about making her a tallit in the middle of August. It took a few weeks to nail down the design. For Sarah it would have been ideal if the tallit were completed in time for her to wear it on Rosh HaShanah., the beginning of her year as senior rabbi of her congregation. For me, in an ideal world, given the realities of preparing for the High Holidays I would have finished this tallit in the weeks after Sukkot. So we compromised and I shipped off the tallit last night.  I would have prefered to have more time but I got the job done in time. This tallit was made to mark Sarah's rise to the position of senior rabbi but it was also a reaction to this year of darkness. She chose a selection of verses about light to be part of her tallit. 1)  אֵל נוֹרָא עֲלִילָה  God of awesome deeds ( from a yom kippur Liturgical poem) 2)  אוֹר חָדָשׁ עַל־צִיּוֹן תָּאִיר   May You shine a new light on Zion ( from the liturgy) 3)  יָאֵר יְהֹ...

A Passover loss

 My parents bought this tablecloth during their 1955 visit to Israel. It is made out of  linen from the first post 1948 flax harvest. The linen is heavy and almost crude. The embroidery is very fine. We used this cloth every Passover until the center wore thin.  You can see the cloth on the table in the background of this photo of my parents and nephew My Aunt Sheva bought my mother a replacement cloth. The replacement cloth is made out of a cotton poly blend. The embroidery is crude and the colors not nearly as nice. The old cloth hung in our basement. We used the new cloth and remembered the much nicer original cloth. I loved that my aunt wanted to replace the cloth, I just hated the replacement because it was so much less than while evoking the beauty of the original. After my father died my mother sat me down and with great ceremony gave me all of her best tablecloths. She also gave me the worn Passover cloth and suggested that I could mend it. I did. Year after year ...