I suppose that if I had a stand alone studio for my work that I would show up and work away at just my client work and go home when I was done for the day. Instead, like the work in the pre-industrial world the labors, the one I am paid for and the ones I do to take care of my household just kind of flow into one another. This morning I knew that I had to set the color on a scarf I had been commissioned to make. Setting the color means lots of long hot steamy ironing with paper between the iron and the painted silk. The color setting works better with a nice padding beneath the work. I also have a healthy stack of ironing that needed to be done. So I began the work of setting the color by ironing a red plaid cotton tablecloth that had been my mother's. After the tablecloth was reasonably smooth and folded into 1/8ths I started pressing this pretty piece that you see here from the reverse so you can admire the nice stitching. I'm not sure of the original use. perhaps it...
A blog, mostly about my work making Jewish ritual objects, but with detours into garment making, living in New York City, cooking, and other aspects of domestic life. A note about comments: I love comments from readers, from spammers, not so much. I approve comments before posting them so comments are not cluttered with junk. It may take a few hours before your posts appear. Be patient. If you are a real person with a real comment it will be posted.