As I wrote earlier, this tallit is a collaboration between Rosie and me. She did the silk painting. Around the time that rosie completed her part of her tallit, her mother’s red tallit arrived. her lovely painting looked a little simple and bleak against the expanse of white. the desert side before I understood Rosie’s panic, but I also knew that her tallit was far from finished. the dead white of the silk did make her lovely paintings look a bit bleak. With Rosie’s permission I added a sky blue between her two painted panels. Rosie also loved the stenciled stripes on her mom’s tallit. So I added a stenciled stripe but not on a red, but on the light blue grey. it worked with both the lush tree side and the desert side of the tallit. We decided that we would line the tallit with the night sky. I usually paint thin layers of dye, allow them to dry and then add more layers of dye. it has been really muggy here in new york. the silk that usually dries in a few...
A blog, mostly about my work making Jewish ritual objects, but with detours into garment making, living in New York City, cooking, and other aspects of domestic life. A note about comments: I love comments from readers, from spammers, not so much. I approve comments before posting them so comments are not cluttered with junk. It may take a few hours before your posts appear. Be patient. If you are a real person with a real comment it will be posted.