Skip to main content

A museum dress

When you visit New York museums during the day you often see older women  decked out in wonderful clothing. They arenā€™t putting on their regular designer duds to wear to a gallery but rather something arty.  They might be wearing fairly nondescript black trousers and and sweater, but they are wearing a serious piece of sculpture piece of jewelry .  They might wear an artist made shawl or scarf or perhaps a dress that looks like it may have come out of Miyakeā€™s atelier or the atelier of one of his followers.

For the last several weeks Fabric Mart has been showing a sweater knit in an amazing circle print. The fabric was listed as polyester. I am not a big fan of synthetic knits. The print was just so great.  I kept visiting the fabric on line. Fabric Mart had a half price sale. I had had a hard week,. I caved and bought the fabric.  The package arrived a few days ago.

The sweater knit was soft and drapey. It feels nice on the skin. I had planned to make a little cardigan with the fabric. Instead I decided to make a Miyake-like draped sweater/dress. it is one of those garments that looks complicated when on the body but couldnā€™t be easier to make.

The body of the sweater is a rectangle that is the width of the fabric.  I folded the fabric in half ( selvedges together).  Then I folded the fabric about 1/4 of the way from the fold and cut armholes, just simple half circles because I was cutting on the fold.I cut the arm holes fairly close to the top of the fabric. It is easy to play with the placement of the armholes, you get an entirely different look by moving the arm holes up or down. I put on the result. it was one of those cascade vests one sees everywhere. I decided to add sleeved. those were tubes of the knit.  Be sure to cut the sleeves with the stretch going around the arm. The stretch going from wrist to shoulder is not particularly helpful. I know this because each time I cut sweater sleeves I cut them the wrong way first.

I added a collar by serging a strip of fabric wrong way up to the neckline of the sweater. The whole process, including allowing time for re cutting the sleeves was about an hour, probably less.

Here it is, worn open.
sweater coat-dress


Here is the sweater worn belted. Yes it can be worn as a dress.
sweater coat-dress (1)


Iā€™m ready to go to the museum now.

Comments

Popular posts from this blog

Connecting with the past

A few months ago I had a craving for my fatherā€™s chicken fricassee.  If my father were still alive I would have called him up and he would have talked me through the process of making it.    My father is no longer alive so I turned to my cookbooks and the recipes I found for chicken fricassee were nothing at all like the stew of chicken necks, gizzards and wings in a watery sweet and sour tomato sauce that I enjoyed as a kid.  I assumed that the dish was an invention of my fatherā€™s. I then attempted to replicate the dish from my memory of it and failed.   A couple of weeks ago I saw an article on the internet, and I canā€™t remember where, that talked about Jewish fricassee  and it sounded an awful lot like the dish I was hankering after. This afternoon I went to the butcher and picked up all of the chicken elements of the dish, a couple of packages each of wings, necks and gizzards. My father never cooked directly from a cook book. He used to re...

The light themed tallit has been shipped!!!

 I had begun speaking to Sarah about making her a tallit in the middle of August. It took a few weeks to nail down the design. For Sarah it would have been ideal if the tallit were completed in time for her to wear it on Rosh HaShanah., the beginning of her year as senior rabbi of her congregation. For me, in an ideal world, given the realities of preparing for the High Holidays I would have finished this tallit in the weeks after Sukkot. So we compromised and I shipped off the tallit last night.  I would have prefered to have more time but I got the job done in time. This tallit was made to mark Sarah's rise to the position of senior rabbi but it was also a reaction to this year of darkness. She chose a selection of verses about light to be part of her tallit. 1)  אֵל נוֹ×ØÖøא עֲל֓ילÖøה  God of awesome deeds ( from a yom kippur Liturgical poem) 2)  אוֹ×Ø ×—ÖøדÖøשׁ עַל־צ֓יּוֹן ×ŖÖ¼Öøא֓י×Ø   May You shine a new light on Zion ( from the liturgy) 3)  יÖøאֵ×Ø ×™Ö°×”Ö¹...

מְחַיֵּה הַמֵּ×Ŗ֓ים

  וְנֶאֱמÖøן אַ×ŖÖ¼Öøה לְהַחֲיוֹ×Ŗ מֵ×Ŗ֓ים: בּÖø×Øוּךְ אַ×ŖÖ¼Öøה יְהֹוÖøה מְחַיֵּה הַמֵּ×Ŗ֓ים   You are faithful to restore the dead to life. Blessed are You, Adonoy, Resurrector of the dead. That particular line is recited at every single prayer service every day three times a day, unless you use a Reform or Reconstructionist prayer book . In those liturgies instead of praising God for resurrecting the dead God is praised for  giving life to all.  I am enough of a modern woman, a modern thinker, to not actually believe in the actual resurrection of the dead. I don't actually expect all of the residents of the Workmen's Circle section of  Mount Hebron cemetery in Queens to get up and get back to work at their sewing machines. I don't expect the young children buried here or  the babies buried here to one day get up and frolic. Yet, every single time I get up to lead services I say those words about the reanimating of the dead with every fiber of my being. Yesterday, I e...