Skip to main content

כִּי אַתָּה שׁוֹמֵֽעַ קוֹל שׁוֹפָר וּמַאֲזִין תְּרוּעָה

 Yesterday,  I blew shofar three times. 


I was one of the shofar blowers during our synagogue's live-streamed service. I hadn't stepped into our synagogue since Purim. As I got dressed to go to synagogue I thought about who I wanted to bring with me in my attire. I wanted to evoke my dear friend S. so I wore a  silk skirt she had handed down to me a couple of years ago. Our families go way back and I wanted to connect to both of our families. I pinned a brooch that had belonged to my mother to my fitted jacket. It was a little chilly to go out without an additional layer so I wrapped myself in the beautiful wool challis shawl Mrs. Grossman had given my sister ( my sister is horribly allergic to wool). I also needed to choose a pair of gloves to wear.


I have many pairs of gloves. It was clear that I needed to choose from the beautiful collection that Penny hand sent me  of her late mother, Ruthie's gloves


I can't listen to the Haftarah from the second day of the holiday without hearing her husband weeping through the Haftarah as Ruthie (her Hebrew name was Rachel) lay dying in the hospital. One of the lines in the Haftarah is

רָחֵ֖ל מְבַכָּ֣ה עַל־בָּנֶ֑יהָ

  Rachel weeping for her children. 

Every year after that my mother would get weepy hearing the Haftarah.


The sanctuary of our synagogue was rearranged for the live-stream . There were many twenty seats all socially distant. I went with my boys. My husband was a little under the weather so he stayed home ( don't worry it seems to be a garden variety cold that he is nipping in the bud). I pushed my seat so it was almost but not quite where I normally sit during the high-holidays. 


I realized as I sat in the room so familiar to me that our rabbis and chazzan created an artifice of a service that worked not badly on a computer screen. The artifice worked and was even at times, really moving.


After services ended there was another short shofar blowing on the steps of the synagogue.

You can see me blowing a t'kiya gedola, the big blast. I'm the one in the red boots. We are facing away from the crowd to keep them safe. This photo appeared in the West Side Rag a hyperlocal news blog.


Synagogue members gathered at the steps of our synagogue just as we so often do after services on the High Holidays. It felt so precious to see people I hadn't seen in months, but in real life. 


So much of what takes place at the High Holidays comes out of the pages of the machzor/the High Holiday prayerbook. A large piece of the experience is reconnecting with people in my community. People return from summers away. Grown children of friends return with their own children. Other friends don't attend synagogue all that often. We check in with one another. How is your health? How is your family? How are you getting through grieving? We visit with one another. yesterday was like our service, a taste of what we expect during non-Covid-19 years.



At four I blew shofar again as part of Shofarot on Broadway. Nearly every intersection from 65th Street to 116th Street had someone blowing shofar. I was assigned to 100th Street along with my youngest.

In order to prevent the possible spread of Covid-19 we had to cover the wide end of our shofarot with cloth.  I used linens that had come from my collection of fine linens from the dead mothers of friends. 



My son began the shofar blasts with the "short program" using the black shofar. 

תקיעה: שברים תרועה: 

תקיעה. שׁברים. תקיעה:

תקיעה. תרועה. תקיעה:



I used the harder to blow lighter colored shofar and blew the "long program".

תקיעה. שׁברים תרועה. תקיעה

תקיעה. שׁברים תרועה. תקיעה

תקיעה. שׁברים תרועה. תקיעה


תקיעה. שׁברים. תקיעה:

תקיעה. שׁברים. תקיעה:

תקיעה. שׁברים. תקיעה:


תקיעה. תרועה. תקיעה:

תקיעה. תרועה. תקיעה:

תקיעה. תרועה. תקיעה גדוֹלה:

 I was my son's caller, calling out which sounds to blast, he was mine. My son stood on top the barrier at the end of the median strip to recite the bracha and to blow.  


Then it was my turn. I faced the people gathered on Broadway. My husband tells me that there were well over 100 people gathered at our intersection. I closed my eyes, as I always do to blow the shofar. I felt the sun on my closed eyelids I listened to my son call out the sounds I needed to produce. 

It's a mitzvah to hear the sound of the shofar. As I blew I could feel that people were listening to the shofar blasts not just because it was mitzvah, the people standing on the median strip, the people across Broadway, the people filling the street needed to hear the shofar. They needed to hear the sound vibrating inside their bones. Other shofar blowers followed me. At the end of all of the shofar blasts the people gathered cheered. I was about to start singing a niggun, a wordless tune, but just in time, I remembered that it was not safe in the time of Covid.

Each year when I blow shofar in my synagogue I am anxious. I want to be sure to do a good job. As I stand in front of the room, I feel my own anxiety but I feel the anxiety in the room. Everyone is worried along with me hoping that the sounds I produce are true and strong.  When the shofar blowing is over, and I have produced the blasts well, I feel the joy in the room. Yesterday, on Broadway I felt that joy.

At a time when nothing is normal. We all thirst for the scraps of our lives that still feel normal.




Comments

Post a Comment

I love hearing from my readers. I moderate comments to weed out bots.It may take a little while for your comment to appear.

Popular posts from this blog

Connecting with the past

A few months ago I had a craving for my father’s chicken fricassee.  If my father were still alive I would have called him up and he would have talked me through the process of making it.    My father is no longer alive so I turned to my cookbooks and the recipes I found for chicken fricassee were nothing at all like the stew of chicken necks, gizzards and wings in a watery sweet and sour tomato sauce that I enjoyed as a kid.  I assumed that the dish was an invention of my father’s. I then attempted to replicate the dish from my memory of it and failed.   A couple of weeks ago I saw an article on the internet, and I can’t remember where, that talked about Jewish fricassee  and it sounded an awful lot like the dish I was hankering after. This afternoon I went to the butcher and picked up all of the chicken elements of the dish, a couple of packages each of wings, necks and gizzards. My father never cooked directly from a cook book. He used to re...

The light themed tallit has been shipped!!!

 I had begun speaking to Sarah about making her a tallit in the middle of August. It took a few weeks to nail down the design. For Sarah it would have been ideal if the tallit were completed in time for her to wear it on Rosh HaShanah., the beginning of her year as senior rabbi of her congregation. For me, in an ideal world, given the realities of preparing for the High Holidays I would have finished this tallit in the weeks after Sukkot. So we compromised and I shipped off the tallit last night.  I would have prefered to have more time but I got the job done in time. This tallit was made to mark Sarah's rise to the position of senior rabbi but it was also a reaction to this year of darkness. She chose a selection of verses about light to be part of her tallit. 1)  אֵל נוֹרָא עֲלִילָה  God of awesome deeds ( from a yom kippur Liturgical poem) 2)  אוֹר חָדָשׁ עַל־צִיּוֹן תָּאִיר   May You shine a new light on Zion ( from the liturgy) 3)  יָאֵר יְהֹ...

A Passover loss

 My parents bought this tablecloth during their 1955 visit to Israel. It is made out of  linen from the first post 1948 flax harvest. The linen is heavy and almost crude. The embroidery is very fine. We used this cloth every Passover until the center wore thin.  You can see the cloth on the table in the background of this photo of my parents and nephew My Aunt Sheva bought my mother a replacement cloth. The replacement cloth is made out of a cotton poly blend. The embroidery is crude and the colors not nearly as nice. The old cloth hung in our basement. We used the new cloth and remembered the much nicer original cloth. I loved that my aunt wanted to replace the cloth, I just hated the replacement because it was so much less than while evoking the beauty of the original. After my father died my mother sat me down and with great ceremony gave me all of her best tablecloths. She also gave me the worn Passover cloth and suggested that I could mend it. I did. Year after year ...